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Television
has a long and interesting history. In addition, it has undergone a great number of changes in order to become the
type of entertainment we know it to be today. As such, there is no one inventor that can be credited for the development of
modern day television. Rather, it is the result of new inventors continually improving on old ideas.
By
1945, many American families believed they had suffered enough hardship from the war and rewarded themselves with televisions
(televisores). The pictures were of a better quality than in earlier televisions and only in black and white. Programming
other than news had caught on and gradually, game shows, sports and other programs of interest were available.
Technically,
the ability to produce programs in color occurred in the late 1940`s, however it was in the mid 1960`s that major broadcasters
began to produce their programming in color. Early colored televisions did not provide exact color replication. One often
noticed unnatural tint which was correctable by manipulating the `tint` dial on the television.
For those of us
old enough to remember the assignation of John F. Kennedy, we will also remember his lying in state and his funeral and burial
all shown on major broadcast stations. This was the first major event in American history that could be viewed by people all
across the United States on television (televisores). Despite miles of separation, people in the USA felt more connected to
one another because of this new technology.
The 1970`s brought about the greatest surge of television purchases.
Major appliance stores (Sears and others) had banks of televisions on display. Daytime television and `Soap Operas` became
favorites of many stay at home mothers. Game shows became more plentiful as did movies which introduced us to favorites such
as John Waynne, Robert Young, `Beaver Cleaver` and many, many more. These were idyllic families, devoid of abuse, less than
charitable language, arguments, and other behaviors evidenced in today`s homes and societies. Television commercials changed
the `tools` of childhood which previously had been invented and make believe to Barbie and Ken dolls, talking bears, more
sophisticated bicycles and wagons and the like.
Funny
Tv moments
BBC
television
Jasmine Bligh, one of the original announcers, made the first
announcement, saying, 'Good afternoon everybody. How are you? Do you remember me, Jasmine Bligh?'. The Mickey Mouse
cartoon of 1939 was repeated 20 minutes later. Postwar broadcast coverage extended
to Birmingham in 1949 with the opening of the Sutton Coldfield transmitting station, and by the mid 1950s most of the country
was covered. Alexandra Palace was the home base of the channel until the early 1950s
when the majority of production moved into Lime Grove Studios (closed 1991), then in 1960 to the purpose-built BBC Television
Centre at White City, also in London, where the channel is still based. Television
News continued to use Alexandra Palace as its base — by early 1968 it had even converted one of its studios to colour
— before moving to purpose-built colour facilities at TV Centre on 20 September 1969. The BBC held a monopoly on television broadcasting in the United Kingdom until the first ITV station was launched
in 1955. The competition quickly forced the channel to change its identity and priorities following a large drop in audience
figures. By the 1980s, the channel had launched the first breakfast television programmes and returned to its previous form
under the controller of the channel at the time, Michael Grade.
Between
1933 and the opening of the BBC’s Alexandra Palace facility in 1936,
the largest TV studios in Europe and the most powerful television transmitters in the world
were not owned and operated by the BBC. They were situated in a complex of buildings
around the south end of the Crystal Palace in Sydenham, South London – the home
of Baird Television Limited.
In contrast to EMI, who developed their system with a fair degree
of secrecy, the Baird company was very public about its developments and missed no opportunity to invite Reith to demonstrations,
which he invariably failed to attend, ostensibly to avoid being seen to favour one particular manufacturer. He thus missed
a presentation at Gaumont-British offices in Film House, Wardour Street, at noon on March 12, 1934, where 180-line transmissions
using both film (telecine) and studio (Intermediate Film) sources were shown on a receiver with no moving parts, employing
a cathode ray tube made under contract by GEC and showing a picture (enlarged via a lens) of effectively about 12 x 18 inches.
The vision signals originated from the 500-watt transmitter at the Crystal Palace, with audio plus sync sent by landline.
BBC staff who attended noted that while the picture quality was not outstanding, EMI at the time was only offering telecine
(with mechanical scanning), and not "direct" (live) television.
A further demonstration of the transmissions took place at Wardour Street at the company AGM on March 20, where Greer
appeared on a large-screen TV live from Crystal Palace. While Greer took a taxi back to central London, the attendees watched
a variety show.
In
1965, an early evening "popular science" format was commissioned by Aubrey Singer, who would later become controller
of BBC2 and deputy director general, and devised and initially produced by Glyn Jones. The show had a rather inauspicious
start - it was originally conceived as a temporary filler for an early evening gap in the BBC1 schedules, and there was little
preparation - The show's title was only though up by Jones and his wife at home the night before the Radio Times wanted
information for the show's billing. Slotting in between the early evening news and Top of the Pops, the idea was to present
a broad selection of new inventions and developing technologies, from the important to the most trivial, via studio demonstrations
and films. Putting the emphasis firmly on what Singer called the "gee whiz factor" of science and technology, the
programme's style was positive and optimistic about technology, in tune with the prevailing mood of the times.
For the first twelve years of its life, the 'World was the domain of BBC commentator and ex-Spitfire pilot Raymond Baxter,
who had worked with Singer and Jones on a number of previous science-based programmes such as Eye on Research. Baxter was
old school BBC, plummy of voice and stiff of lip, but could lend himself to a spot of light-hearted quizzicality when introducing
some of the less serious items. Also narrating was Derek Cooper, the similarly authoritative voice of Michael Apted's
7 Up documentaries among other things. The "wild card" in the pack was James Burke. Coming from an academic, as
opposed to Baxter's patrician, background, Burke, a former English teacher and interpreter at the Vatican, came to the
BBC from Granada TV, and quickly made a name for himself anchoring the Beeb's coverage of major US and Soviet space launches.
As far as the 'World was concerned, he cut a slightly eccentric, mad-haired figure next to his more restrained co-hosts,
staring intensely through his specs at the camera as his head filled the screen in the extreme close-up shots utilised in
sixties television. Although Baxter is remembered nowadays with great fondness, Burke stopped the early days of the 'World
from being too staid and straight. He left the programme in the mid-'70s to concentrate on his quixotic - and highly successful
- science documentaries, beginning with the famed Connections.
1932
to 1939
Mechanically scanned, 30-line television broadcasts by John Logie Baird began in 1929, using the
BBC transmitter in London, and by 1930 a regular schedule of programmes was transmitted from the BBC antenna in Brookmans
Park. Television production was switched from Baird's company to what is now known as BBC One on August 2, 1932, and continued
until September 1935. Regularly scheduled electronically scanned television began from Alexandra Palace in London on 2 November
1936, to just a few hundred viewers in the immediate area. It was reaching an estimated 25,000-40,000 homes before the outbreak
of World War II caused the service to be suspended in September 1939. The VHF broadcasts would have provided an ideal radio
beacon for German bombers homing in on London, and the engineers and technicians of the service would be needed for the war
effort, in particular the RADAR programme.
1946 to 1964
In 1946, TV transmissions resumed
from Alexandra Palace. The BBC Television Service (renamed BBC tv in 1960) showed popular programming, including drama, comedies,
documentaries, game shows and soap operas, covering a wide range of genres and regularly competed with ITV to become the channel
with the highest ratings for that week.
1964 to 1967
BBC tv was renamed BBC1 in 1964,
after the launch of BBC2 (now BBC Two), the third television station (ITV was the second) for the UK; its remit, to provide
more niche programming. The channel was due to launch on 20 April 1964, but was put off the air by a massive power failure
that affected much of London, caused by a fire at Battersea Power Station. A videotape made on the opening night was rediscovered
in 2003 by a BBC technician. In the end the launch went ahead the following night, hosted by Denis Tuohy holding a candle.
BBC2 was the first British channel to use UHF and 625-line pictures, giving higher definition than the existing VHF 405-line
system.
1967 to 2003 A special
ident was created in 1982 to celebrate 60 years of the BBC.
In December 1967, BBC Two became the first television channel in
Europe to broadcast regularly in colour, using the German PAL system that is still in use today although being gradually superseded
by digital systems. (BBC One and ITV began 625-line colour broadcasts simultaneously on 15 November 1969). Unlike other terrestrial
channels, BBC Two does not have soap opera or standard news programming, but a range of programmes intended to be eclectic
and diverse (although if a programme has high audience ratings it is often eventually repositioned to BBC One). The different
remit of BBC2 allowed its first controller, Sir David Attenborough to commission the first heavyweight documentaries and documentary
series such as Civilisation, The Ascent of Man and Horizon.
EARLY
TV SHOWS & COMMERCIALS 1950's RARE
British
Broadcasting Corporation (BBC)
The BBC is the world's oldest and biggest broadcaster, and is the country's
first and largest public service broadcaster. The BBC is funded by a television licence fee that all households with a television
must pay. Its analogue channels are BBC One and BBC Two. The BBC first began a television service, initially serving London
only, in 1936. BBC Television was closed during World War II but reopened in 1946. The second station, BBC Two, was launched
in 1964. As well as these two analogue services, the British Broadcasting Corporation now also offers digital services BBC
Three, BBC Four, BBC News, BBC Parliament, CBBC Channel, CBeebies, BBC Red Button and BBC HD.
Independent
Television (ITV)
ITV (Independent Television) is the network of fifteen regional and three national commercial
television franchises, originally founded in 1955 to provide competition to the BBC. ITV was the country's first commercial
television provider funded by advertisements, and has been the most popular commercial channel through most of its existence.
Through a series of mergers, takeovers and relaxation of regulation, eleven of these companies are now owned by ITV plc, two
by SMG plc while UTV and Channel Television remain independent. ITV plc, the operator of all English, Welsh and Southern Scotland
franchises, has branded the channel as ITV1 since 2001, with regional names being used prior to regional programmes only.
SMG plc, which operates the two other Scottish franchises, has now unified the regions under the single name of STV. UTV,
the Northern Ireland franchisee operated by UTV plc, uses its own name on air at all times, while the independent Channel
Television uses the generic ITV1 stream and its own name prior to regional programmes. ITV has been officially known as Channel
3 since 1990. ITV plc also operates digital channels ITV2, ITV3, ITV4, Men & Motors and the CITV Channel. ITN currently
holds the national news franchise, GMTV operates the breakfast franchise and Teletext Ltd operates the national teletext franchise.
Channel 4
Launched in 1982, Channel 4 is a state-owned national broadcaster which is funded
by its commercial activities (including advertising). Channel 4 has expanded greatly after gaining greater independence from
the IBA, especially in the multi-channel digital world launching E4, Film4, More4 and various timeshift services. Since 2005,
it has been a member of the Freeview consortium, and operates one of the six digital terrestrial multiplexes with ITV as Digital
3&4. Since the advent of digital television, Channel 4 is now also broadcast in Wales across all digital platforms. Channel
4 was the first British channel not to carry regional variations for programming, however it does have set advertising regions.
Five
Five (previously known as Channel 5) was the final analogue broadcaster to be launched,
in March 1997. Its analogue terrestrial coverage is less than that of the other analogue broadcasters, and broadcast in re-assigned
frequencies, often at a lower power from major transmitters only. Many ex-VHF transmitters which were used for black and white
transmissions prior to the switchover to UHF transmissions in the 1970s–80s are now used to broadcast Five, mainly due
to capacity restraints on the masts. It was also the first terrestrial broadcaster to broadcast on satellite and carry a permanent
digital on-screen graphic (DOG). The channel was re-named "Five" in 2002, which saw an overhaul of the channel's
identity and removal of the infamous DOG. RTL Group, Europe's largest television broadcaster, took full control of the
channel in August 2005. Five launched two new channels, Five US and Five Life (now known as Fiver) in October 2006. All of
these channels are also carried on satellite television, cable television and digital terrestrial television services. Five
also owns 20% of the digital terrestrial pay-TV provider, Top Up TV. Like Channel 4, Five does not have programming regional
variations, however it does so for advertising.
British Sky Broadcasting (BSkyB)
British
Sky Broadcasting operates a satellite television service and numerous television channels including Sky1, Sky2, Sky3, Sky
Movies and Sky Sports.
UKTV
UKTV is a joint venture between the BBC's commercial
arm, BBC Worldwide, and Virgin Media Television. Both companies additionally wholly-own a number of other channels, broadcast
domestically or internationally.
Channels under the joint venture are Alibi, Dave, G.O.L.D., UKTV Documentary,
UKTV Food, UKTV Gardens, UKTV History, UKTV People, UKTV Style, Watch plus a number of timeshift services.
Other
channel owners The most watched digital channels are owned by the six broadcasters above. Other broadcasters who have
secured a notable place on British television include Virgin Media, Viacom, Discovery Networks and Disney.
Funny
TV Commercials
Hovis
'Bike' advert 1973
Television
has a long and interesting history. In addition, it has undergone a great number of changes in order to become the type
of entertainment we know it to be today. As such, there is no one inventor that can be credited for the development of modern
day television. Rather, it is the result of new inventors continually improving on old ideas.
In the Beginning
The beginning roots of television can be traced back to 1862, which is when the first still images were transmitted
over wires. This early invention, which was developed by Abbe Giovanna Caselli, was called the Pantelegraph. It wasn't
until 14 years later, however, that George Carey began to experiment with the idea of television. His invention was called
a selenium camera and it made it possible for people to see with electricity. It was during this same timeframe that Eugen
Goldstein came up with the term cathode rays, which described the process of light being emitted as the result of an electric
current being forced through a vacuum tube.
Inventors Find Success
In 1884, the first real successful
transmission of images took place. At this time, Paul Nipkow was able to successfully send 18 lines of resolution with the
help of his electric telescope . In 1900, the word "television" was used for the first time to describe this
special new invention when it was demonstrated at the World's Fair in Paris. Afterward, the concept of television really
took off as inventors explored different ways to develop the system.
By 1906, the first mechanical television system
was invented by Boris Rosing. A year later, Rosing and another inventor by the name of Campbell Swinton each developed their
own method of electronic scanning in order to reproduce images. In 1923, Vladamir Zworkin patented Swinton's invention,
which was called the iconscope or an electric eye. This later became the basis of the future of television.
Television
Finds its Way Into Households
In 1928, the first long distance usage of television took place when Bell Telephone
and the U.S. Department of Commerce successfully transmitted from Washington D.C. to New York City. That same year, the Federal
Radio Commission issued its first license for a television station to Charles Jenkins. The following year, the first television
studio was opened by John Baird and Jenkins broadcast his first television commercial in 1930.
Television got a
slow start at first, finding its way into just 200 homes throughout the world in 1936. By 1948, however, this number jumped
to one million in the United States alone. Today, one would be hard pressed to find a home without a television - the invention
has certainly come a long way in a short period of time.
On
September 7, 1927, Philo Farnsworth's Image Dissector camera tube transmitted its first image, a simple straight line,
at his laboratory at 202 Green Street in San Francisco. By 1928, Farnsworth had developed the system sufficiently to hold
a demonstration for the press, televising a motion picture film. In 1929, the system was further improved by elimination of
a motor generator, so that his television system now had no mechanical parts. That year, Farnsworth transmitted the first
live human images with his system, including a three and a half-inch image of his wife Elma ("Pem") with her eyes
closed (possibly due to the bright lighting required).
Farnsworth gave the world's first public demonstration
of a complete all-electronic television system on August 25, 1934 at the Franklin Institute in Philadelphia. Other inventors
had previously demonstrated components of such a system, or had shown an electronic system using still images or motion picture
film. Manfred von Ardenne demonstrated an all-electronic television system using cathode ray tubes at the Berlin Radio Show
in August 1931, but as he never built a camera tube, his system was limited to using the CRT as a flying spot scanner to transmit
motion picture films and slides. Farnsworth became the first to use all-electronic cameras and receivers to transmit and receive
live, moving images. Unfortunately, his cameras needed too much light, so his work came to a stop.
American
Bandstand provided the first national exposure of Chuck Berry, Jerry Lee Lewis, Buddy Holly, and Chubby Checker among others.
The success of the show also encouraged the proliferation of local labels such as Cameo-Parkway, Swan, Jamie, and Chancellor.
Clark was financially involved in Swan and Jamie, and acts for these labels, and acts for these labels seemed to prosper more
than most as a result of exposure on American Bandstand.
On Feb 15, 1958 The Dick Clark Show received a spot in
ABC-TV's Saturday night line up.. It featured established as well as new acts and was broadcast live from New York. Twenty
million fans were watching American Bandstand and by the end of the year was being carried on sixty-four stations.
On
April 7, 1927, a group of newspaper reporters and dignitaries gathered at the AT&T Bell Telephone Laboratories auditorium
in New York City to see the first American demonstration of something new: television. Secretary of Commerce Herbert Hoover
provided the “entertainment,” as his live picture and voice were transmitted over telephone lines from Washington,
D.C., to New York.
“Today
we have, in a sense, the transmission of sight for the first time in the world’s history,” Hoover said. “Human
genius has now destroyed the impediment of distance in a new respect, and in a manner hitherto unknown.”
A second telecast followed that day, via radio
transmission from Whippany, N.J. The telecasts demonstrated television’s potential as an adjunct to telephone service
and as a medium for entertainment.
Candid
Camera was a television series created and produced by Allen Funt, which initially began on radio as Candid Microphone June
28, 1947. After a series of theatrical film shorts, also titled Candid Microphone, Funt's concept came to television on
August 10, 1948.
The format has appeared on network, syndicated or cable television in each succeeding decade, as either a regular show or
a series of specials. Funt himself hosted or co-hosted almost all of the TV versions until a 1993 stroke from which he never
recovered. Funt's son Peter Funt, who had co-hosted the specials with his father since 1987, is now the producer/host
of the format.
The premise of the show involved concealed cameras filming ordinary people being confronted with
unusual situations, sometimes involving trick props, such as a desk with drawers that pop open when one is closed or a car
with a hidden extra gas tank. When the joke was revealed, victims would be told the show's catch phrase, "Smile,
you're on Candid Camera."
Ultra-rare
TV Show Intros
Working
with scripts from Ray Galton and Alan Simpson, Hancock's Half Hour lasted for five years and over a hundred episodes in
its radio form. The show starred Hancock as Anthony Aloysius St John Hancock, a more expansive version of Hancock himself,
and usually portrayed as an out-of-work comedian living in the shabby "Railway Cuttings" in East Cheam. His homburg
hat became a well-known visual trademark.
The show featured Sid James, Bill Kerr, Kenneth Williams and over the
years Moira Lister, Andrée Melly[3] and Hattie Jacques. The series rejected the variety format then dominant in British
radio comedy and instead pioneered a style drawn more from everyday life; the situation comedy, with the humour coming from
the characters and the situations they found themselves in. The show transferred to television in 1956. The television and
radio versions then ran alternately until 1959. Hancock also made an ITV series The Tony Hancock Show during this period,
which ran for two series in 1956–57.
During the run of his BBC radio and television series, Hancock became
an enormous star in Britain. Like few others, he was able to clear the streets while families gathered together to listen
to the eagerly awaited episodes. His character changed slightly over the series but even in the earliest episodes the key
facets of 'the lad himself' were evident. Later episodes were regarded as classics, even in their time. "A Sunday
Afternoon At Home" and "Wild Man Of The Woods" were top rating shows and were later released as an LP
Mattel
Tommy Burst TV commercial 1960s!
Gleason's
first variety series was aired on the DuMont Network under the title Cavalcade of Stars. After previous host Jerry Lester
quit the show in 1950, Gleason — who had made his mark on the first television incarnation of The Life of Riley sitcom
— stepped into Cavalcade and became an immediate sensation. The show was broadcast live, in front of a theater audience,
and offered the same kind of vaudevillian entertainment common to early-TV revues. Jackie's guests included New York-based
performers of stage and screen, including Bert Wheeler, Smith and Dale, and Vivian Blaine. Production values were decent but
not spectacular, owing to DuMont's humble facilities and a thrifty sponsor (the nation's neighborhood drug stores).
In 1952, CBS president William S. Paley offered Gleason a much higher salary, with which DuMont could not compete.
Gleason moved to CBS, and the series was retitled The Jackie Gleason Show.
In
1962, Gleason returned to the tried-and-true variety format with his American Scene Magazine.
(The official title of the show was, again, The Jackie Gleason Show.) In its first year, Gleason's ratings killed the
competition: a revived comedy-western-variety program, The Roy Rogers and Dale Evans Show, on ABC and the legal drama Sam
Benedict with Edmond O'Brien on NBC.
American Scene was initially taped in New York City; after two seasons,
production moved to Miami Beach (1964). Each week Gleason would begin his monologue and be surprised by the flamboyant jackets
worn by bandleader Sammy Spear. (Beholding Spear's animal-print blazer, Gleason quipped, "I've heard of Tiger
Rag, but this is ridiculous!") Reggie, the Poor Soul, and the rest of Gleason's comic characters were regular attractions.
Frank Fontaine, as bug-eyed, grinning "Crazy" Guggenheim, starred in the Joe the Bartender skits, delighting fans
with his nutty speaking voice and goofy laugh, and charmed by his surprisingly mellow singing voice.
In 1966 the
title once again became simply The Jackie Gleason Show and would remain so until its cancellation in 1970. By this point the
episodes included well-known guest stars and skits. A component during this period was the musical Honeymooners episodes,
which had first been tried during the 1955-56 season. These were later collected as The Color Honeymooners, with Sheila MacRae
and Jane Kean as Alice and Trixie. The regular cast included old sidekick Art Carney; Milton Berle was a frequent guest star.
The show was taped at the Miami Beach Auditorium (now called the Jackie Gleason Theatre of the Performing Arts), and Gleason
(along with the show's announcer, Johnny Olson) never tired of promoting the "sun and fun capital of the world"
on camera. Hordes of vacationers took Gleason's advice, boosting Florida's economy. Later specials were taped at the
Olympia Theatre's Gusman Center across Biscayne Bay, in downtown Miami).
The
first live transcontinental television broadcast took place in San Francisco, California with U.S. President Harry Truman's
speech at the Japanese Peace Treaty Conference on September 4, 1951, using AT&T's transcontinental cable and microwave
radio relay system. The first live coast-to-coast commercial television broadcast in the U.S. took place on November 18, 1951
on the premiere of See It Now, which showed a split screen view of the Brooklyn Bridge in New York City and the Golden Gate
Bridge in San Francisco. In 1958, the CBC completed the longest television network in the world, from Sydney, Nova Scotia
to Victoria, British Columbia. Reportedly, the first continuous live broadcast of a breaking news story in the world was conducted
by the CBC during the Springhill Mining Disaster which began on October 23 of that year.
Programming is broadcast
on television stations (sometimes called channels). At first, terrestrial broadcasting was the only way television could be
distributed. Because bandwidth was limited, government regulation was normal.
In the U.S., the Federal Communications
Commission in 1941 allowed stations to broadcast advertisements, but insisted on public service programming commitments as
a requirement for a license. By contrast, the United Kingdom chose a different route, imposing a television licence fee on
owners of television reception equipment, to fund the BBC, which had public service as part of its Royal Charter.
Beauty
is nothing without brains ... Sorry to any blondes